GR-HD1 HD Digital Camcorder - NEW! -Includes the Video Advantage - $100 Value Free!

"Click Here For Package Contents:Not long ago, High Definition was only a dream. It was a new world of superlative images that broadcasters were striving for, and content providers were eagerly awaiting. Today, with the arrival of HDTV broadcasts in the U.S., Japan, and certain other regions, it has become a reality. Currently HD broadcasting is being implemented by 960 stations in 189 markets, with 28% of TV series aired in HD, and a broadcast area covering 97% of U.S. households. HDTV is here, and it's now. A new reality that offers an unprecedented level of visual impact and expressiveness, as well as the ability to work with home theater audio systems that add a crucial extra "dimension" to movie viewing. And now, with the GR-HD1 from JVC, it's possible to create your own Hi-Def movies. True high definition that only professional broadcasters and cinematographers with professional budgets could acquire before now. Viewable on the latest Hi-Def display devices, storable on the high-capacity D-VHS platform with native quality maintained. And it's all available right here at JVC. From first take, to last cut, to premier night on your home theater, JVC provides a total HD solution for you and your audience. What's HD? The main technical difference between regular TV and HDTV is increased resolution and better color. Since HDTV is digital, it is easy to compare with images we see on computer screens. In those terms, the widescreen 16:9 ratio HDTV image generated by the GR-HD1 is 1280 pixels wide by 720 pixels high. For a 4:3 ratio NTSC image recorded by a DV camcorder, the signal can be up to 720 pixels wide by 480 pixels high. Even just comparing in these terms, the area covered by the HDTV image is more than 2.7 times that covered by a DV camcorder's image. However, there are more factors that affect the image. A DV camcorder's image would be interlaced. This means that one half of the vertical information is recorded approximately every 1/60 second, added together to make a full image every 1/30 second. This means that moving objects have less resolution; by a "Kell" factor people have come to agree is as low as multiplying by 0.7, about 30% less. The DV vertical resolution is then the equivalent of 336 pixels. On the other hand, the GR-HD1 progressive HDTV image does not split up the picture, so the quality is high and remains high. This gives HDTV an area resolution for motion images about 3.8 times higher than with DV. For the GR-HD1, the cumulative effect including that the image is 16:9 ratio instead of 4:3 for DV is double the pixels vertically, and 70% more pixels horizontally for both still and moving images. Also, a DV camcorder's image is normally viewed by the S-Video connection or the regular video connection. Under these conditions, there is a limit to the color resolution viewable on the screen. This is because even S-Video further combines the image information into single color and brightness signals. A regular composite video input combines everything into only one video signal. These signals have limited capacity, known as bandwidth, and this capacity limits the maximum resolution and reduces the amount of color information. The Benefits of HDWith JVC's GR-HD1 camcorder, you get everything back that you put in. When you use component connections, using the same signals that were recorded, images seem so real and physical. With HDTV, you normally connect the camcorder or VCR by these component connections. This keeps the color and brightness information separate and divided into three Y, Pb and Pr signals when recording or connecting between units. These are then converted back to Red, Green and Blue signals used by the TV or display. There is no practical limit on the bandwidth of these signals, so you get back everything that you recorded. When you record to PC for editing, your special effects, titles and wipes all are combined at high resolution without color loss. Later this higher quality is readily visible, even when dubbed down to a regular standard definition DVD. With all that image space to work with, plus the accurate color reproduction, your images will be so detailed and dynamic, you won't need to zoom in just to see one person's expression; you can see everything and everyone together. This means you can shoot in a movie-like non-intrusive style. Wide shots suddenly become much more fun, interesting and vital with action as well as detail. Close-ups can be "better than being there". And even intense colors won't run together, so crisp legible fine patterns are always viewable. Bigger is not just better; it is a whole new experience - and for the first time you can re-live your own experiences, large as life, with your digital movies. The GR-HD1 outputs two types of HD in analog for convenience of viewing; the original 720 progressive images doubled to 60 frames per second, and images converted as well to 1080 interlace at 30 frames per second. This conforms to most HD display types. The original data rates are always available on playback through i.LINK IEEE 1394. Multi-Format HD/SD/DV Recording and Viewing - The GR-HD1 offers true Hi-Def 720/30 progressive scan recording in MPEG2-TS (Transport Stream) format. Its large 16:9 image, packed with three times the visual information of DV, will create a new level of realism and impact when viewed on large-screen monitors or projection TVs. To accommodate a variety of video archiving and distribution needs, the GR-HD1 also supports SD 480/60p and regular DV 480/60i with separate encoding circuitry to process the image before recording on tape. F1.8 - F1.9 Optical Zoom Lens - To make Hi-Def recording possible, JVC puts high quality up front, at the lens. With almost no variance in brightness, from F1.8 at full wide and F1.9 at full telephoto, it is able to offer the fundamental image-gathering performance a Hi-Def system requires. High-precision multi-coated all glass optics ensure low-distortion, ghost-free images with high peripheral resolution and brightness, as well as high edge-to-edge color purity across the entire zoom range. Optical Image Stabilization - Demanding Hi-Def images need to be rock solid, so performance is supported by on-demand Optical Image Stabilization -- Optical so as to avoid any loss of resolution. This systems features superior accuracy using a shift lens, original lens servo, and new camera shake detection algorithm to effectively track the subject even at high zoom ratios. 1/3-in. 1.18 Megapixel Progressive Scan CCD - The "retina" of this camera's eye is a powerful combination of a 1.18 Megapixel Progressive Scan CCD and JVC's patented progressive digital filter technology, both the result of JVC's years of research in the field. Designed for a true 16:9 pixel wide array of 1280 x 720 (for moving images) and 4:3 1280 x 960 (for stills), and progressive scanning to sample the entire picture at once, this CCD has an uncanny ability to capture detailed images without interline motion blur resulting from interlace scanning. Hi-Def color purity and discrete reproduction allows you to see full detail without being obscured by low-resolution color smearing. The Hi-Def standard colorimetric range takes in more colors than NTSC as well. Things simply not possible to see with regular TV, like fine designs on a jersey, are clearly visible. Pictures have texture! What matters is that the GR-HD1 lets you record, preserve and playback high quality 700/650 Horizontal/Vertical-line resolution (close to the achievable limit of the format) component Hi-Def video in a reasonable price range. To those who still believe that the number of CCDs is the factor in determining picture quality, think again: JVC's GR-HD1 is ready to challenge and overwhelm preconceptions. Hybrid Complementary-Primary Color Filter - The Hybrid Complementary-Primary progressive color filter system developed by JVC employs a filter matrix overlaying the CCD's picture elements including two complementary colors Yellow and Cyan (Ye and Cy), one primary color Green (Gr), and clear, in a repeating pattern. By shifting one pixel at a time across the CCD and combining these together in pairs for brightness and blocks of four for color, this sampling system is able to deliver maximum resolution.This system's superior ability to sample both Y Luminance and RGB Chroma information results in color performance nearly identical to using three CCDs, proving that it is possible to deliver Hi-Def performance with a single CCD Aside from the number of Luminance and RGB Chroma samples, the die-hard 3-CCD enthusiast may wish to point out a higher ratio of Chroma pixels to Luma pixels offered by 3-CCD (1:1 vs 0.75:1). However, this actually turns out to be a moot point since 4:2:0 DV or MPEG-2 encoding inevitably reduces Chroma detail in the R-Y and B-Y color difference components. Both record just one sample each of color for every block of 4 Luma samples. So instead of expending resources on Chroma detail never used in the recording process, JVC concentrated on providing 3-CCD level performance with a single CCD system tailor-made to provide all the color sample and resolution requirements of Hi-Def recording in MPEG-2 format. Digital MPEG-2 on MiniDV HD Recording - Another remarkable aspect of this video camera is that it records 60 minutes of HD signals on conventional MiniDV cassette. The benefits are obvious: MiniDV cassettes, "the defacto standard" are widely available and affordable compared to other formats used in professional systems, and by using a common cassette mechanism with DV, it was possible for the GR-HD1 to offer regular DV recording as well. This was made possible since the "Hi-Def MPEG-2 on MiniDV" encoder and decoder developed by JVC together with NTT records Hi-Def Component MPEG2-TS signals in the same track format as DV. While the picture is encoded one frame at a time for DV, the time axis is encoded as well for MPEG-2, conforming to the HD Digital VCR Conference's Part 7 (DVB) and Part 8 (ATV) standards. The GR-HD1 uses a GOP (Group Of Pictures) of 6 for HD and 12 for SD, with a frame order of IBBPBB. The "I frame" is a complete frame without reference to any past or future frames; the "P frame" is encoded relative to the past reference frame; and the "B frame" is encoded relative to the past reference frame, future reference frame, or both. All "TV line" standard measurements are relative to the diameter of a circle the same size as the picture height. HDTV 16:9 Horizontal TV lines figures appear to be 75% of what the equivalent 4:3 Horizontal TV Lines would be if the measurement was relative to the whole picture width, since the image is wider. (For example, for the GR-HD1 HD mode would be around 1244 TV lines per picture width, while the count would be about 933 TV lines per picture width for a 4:3 camera if both had 700 TV lines counting by standard horizontal resolution.) DV has a practical recorded horizontal limit of 540 4:3 TV lines, 1280x720p HD has a practical recorded limit of 720 16:9 TV lines using the standard measurement method. Editing and SharingMPEG Edit Studio Pro LE for frame-accurate edits - This NLE (Non-Linear Editing) application allows frame-accurate MPEG-2 editing with intuitive drag-and-drop operation. Coupled with the search functions accompanied by sound, you'll be able to make frame-accurate cuts with precise voice timing so you won't cut off a crucial comment or quote prematurely. Video and audio can be edited separately, and combined from different clips. In addition to the incredibly easy drag-and-drop interface, you'll find numerous features that enable easy project management so you can store and revise your past work whenever necessary. And thanks to the edit spooler function, edits can be done in the background, freeing up you and your computer for other jobs and letting you use your time more efficiently.Editing of both HD and SD material is possible, so you can export edited HD videos back to the GR-HD1 or to a JVC HM-DH40000/DH30000 Digital HDTV Video Recorder in native MPEG2-TS Hi-Def format, as well as convert edited HD videos to NTSC MPEG2-PS for authoring to DVD using the provided ImageMixer DVD software. ImageMixer DVD for easy DVD authoring - Progressive HD looks great converted to interlace NTSC DVDs. And DVD Authoring is easy with ImageMixer DVD. The software handles MPEG2-PS files created in MPEG Edit Studio Pro 1.0 LE without the need for re-encoding. Down-converted MPEG-2 files can be authored to DVD simply by dragging and dropping the files onto the menu. Just choose from the variety of ready-made frames and graphics, and it automatically creates a main menu for DVD playback. ImageMixer DVD discs can be played on most ordinary home DVD units depending on the player and disc. (DVD video discs may not be playable depending upon the DVD player and medium.) HD Capture Utility to transfer footage to PC - Hi-Def footage recorded with the GR-HD1 can be easily transferred to your computer's hard disk with on-screen camera control buttons, via IEEE1394 i.LINK interface. Edited video can also be recorded back to tape. It also automatically stores data in separate files should it detect different data types or unrecorded sections during capture. Audio Converter 1.0 to import soundtracks - Lets you import MP3 files, as well as other audio file formats (WAV, WMA, MP2), with full sound mixing and editing support, for use in your movie soundtrack in the MPEG-1 Audio Layer 2 format used by MPEG Edit Studio Pro LE. i.LINK (IEEE 1394) - Enables transfer of MPEG-2 and DV video data to and from a PC or other compatible device like a D-VHS VCR. (Dubbing is not possible from analog HD sources). You get lossless digital dubbing of both pictures and sound in one cable. Connected to JVC's HM-DH40000/ DH30000, it allows 4 hours of dubbing onto a D480 D-VHS tape (DV MPEG max. 25Mbps > D-VHS MPEG max. 28Mbps). Live HD images can be monitored via i.LINK at 720/30p also. <p><b>USB Terminal</b> - Enables digital still images shot and stored on memory card to be transferred to a computer. With Mass Storage Class support, the video camera's icon is automatically mounted on your desktop when you connect the camera and PC via USB cable so you can drag-and-drop access the files stored on the memory card. Also supports the Web-Camera Function with real-time video streaming. <p><b>SD Memory Card</b> - Stores digital still images as well as DV navigation data. Removable for direct transfer of data to a PC with an appropriate slot or external card reader. GR-HD1 comes provided with 16MB SD Memory Card, while the card slot is also compatible with MultiMediaCard. <p><b>Web-Camera Function</b> - Communicate via web-camera by running third party applications such as Microsoft NetMeeting. This live, USB-linked real-time video streaming function will make applications like teleconferencing, video phoning, webcasting or surveillance possible. <p><b>HG Digital Stills</b> - The Progressive CCD captures four sizes of HG (High Grade) stills on SD Memory Card or MultiMediaCard, ranging from 640 x 480 (VGA) for memos, 848 x 480 (16:9) or 1280 x 720 (Panorama) for landscapes, to 1280 x 960 Megapixel stills. Pictures captured from tape to PC also make high quality stills (HD 1280 x 720, SD 848 x 480, DV 640 x 480). <p>And when it's time to see the recordings you've made, the up-/down-converter and abundant connectors allow viewing access on everything from standard NTSC TVs to leading-edge 1080i HDTV plasma displays and professional-grade monitors. Naturally, ordinary DV 480/60i will be viewable on regular NTSC TVs. <p><b>Rotating Grip</b> - Lets you transition from a high-angle to a low-angle shot without having to remove your hand from the grip or take your eyes off the action. Made possible because the tape mechanism is literally housed in the grip, this innovation in design means you can get the angle you need for a unique perspective or to reduce fatigue even in limited-space situations. <p><b>Manual Focus Ring & Zoom Ring</b> - Just turn the individual rings on the lens barrel to adjust the focus and zoom, like you would with a professional video cam or an SLR film camera. Its linear, "analog" type motion is intuitive, precise, and sure to be appreciated by serious videographers. Creative expression such as focus shifting from foreground to background is possible with high precision. Autofocus also available. <p><b>Manual/Auto Shutter Speeds, Iris, White Balance</b> - Shutter speeds range from 1/15 and the filmic 1/30, all the way up to 1/1000 sec. Iris can be set in the range of F1.8 through F22.0 plus Iris Lock function. In addition to One-touch manual white balance, there are also Halogen, Cloudy and Sunny settings to finely tune colors for a more natural look. These functions are all directly accessible by conveniently mounted buttons. <p><b>Manual Exposure, BLC, Program AE</b> - You have total control over image exposure in +/-10 steps using the exposure dial, and can instantly compensate for excessive backlighting with BLC. Auto exposure and Program AE with Snow, Sports, Spotlight and Twilight modes also available. <p><b>LCD Color Monitor</b> - With a full-color image available in this rotating 3.5-in. high-resolution 2 Megapixel LCD monitor, you'll be able to get shots at angles and positions where use of the viewfinder isn't comfortable or practical. The LCD monitor can be viewed simultaneously with the viewfinder including menu and camera condition information, especially convenient when working together with others. <p><b>High-Resolution Color Viewfinder</b> - In the viewfinder, you'll find a brilliant color image with crisp, high resolution so you'll know exactly what you're aiming at. Its Diopter adjusts for eyesight. <p><b>Power-Linked Operation - with Tally Lamp, Beep or Melody</b> - Just pull out the viewfinder or open the LCD monitor, and the camera automatically powers up so you're ready to shoot. Or close it, and power automatically shuts off to save energy. If needed, beep or melody sounds signify power-on and recording signaled by the tally lamp as well as a beep or melody. A shutter sound can indicate still shooting. <p><b>10x Optical Zoom (HD/SD/DV) and 40x/200x Digital Zoom (DV)</b> - Get close with high quality 10x optical zoom in all modes, and 40x/200x digital zoom with spline interpolation to minimize jagged edges in DV mode. Digital zoom was intentionally not provided for the HD/SD modes because the high resolution and detail provided in those modes means that you will be able to see any part of the screen clearly even you're not zoomed in. Particularly in the HD mode, big-screen images with details that come to life provide a signature look just like watching a movie. <p><b>Carrying Handle and Lens Hood</b> - Since the GR-HD1 isn't your ordinary camcorder, it comes provided with pro-style extras that will help you shoot pro quality footage. The aluminum die-cast carrying handle offers high action mobility and lets you upgrade the camera or handle shoe with options like the MV-E100 microphone. And the lens hood cuts flare for superior results when shooting outdoors. <p><b>Aluminum Diecast Body</b> - Even inside, where it's not obvious, JVC makes sure the GR-HD1 offers top performance. The unit's whole body frame is strengthened with aluminum diecasting so it's able to stand up to the rigors of active HD recording. <p>"